This special issue does the unfortunate but critical work of updating, for Media Studies, the new digital strategies Islamophobia deploys as it seeps deeper into contemporary digital culture. The collection asks very specifically how digital platforms are intertwined with contemporary tactics and strategies of anti-Muslim racism. Too often the technological circulation of hate is imagined to be a collateral sort of compromise for marginalized communities who also find a simultaneous sense of agency via empowerment, pleasure, or resistance in new media forms. Media and Cultural Studies can enliven the intersecting moment of when an ideology meets a new medium. In other words, new media forms are often examined for how they “other,” reflect, represent, amplify, mediate, carry, or transmit a message. In the case here, the message is one of Islamophobia. And thus, there is the impossible tension that is hard to reconcile that the very same medium that empowers marginalized communities is also the same medium that intensifies Islamophobia and transmits it further, faster and faster, across the darkest and deepest corners of the Internet. Nevertheless, when you are in the business of detecting anti-racism, you must be trained to read across a range of media forms—each of which demands a complex understanding of the techno-logics of the form in question. Thus, one should read this volume as a whole with this in mind. There are hidden insights here that indicate that representation from one medium to the next is never simply a matter of just ideology or agency but, rather, a matter of technology.